In 2012, Maureen Freely wrote:
In 2019, I say, in reply, that Maureen writes well and in a way that interests me. She speaks of the future of literary (as opposed to commercial) publishing in such a way that I think she is saying that there isn’t one.
She then said that UK readers are looking for books with a strong narrative that has echoes of the latest prize-winner, that are not philosophical novels (ones that have more speculation than plot), are hard-edged thrillers with multiple murders in the first page, psychological thrillers with a female (rather than a male) lead, are stories packed with exotic sights, sounds and smells and are novels that race to a dramatic conclusion that confirms their (the reader’s) world-view; in other words – commercial novels. So if you happen to be a literary writer, what are you going to do?
Then she rounds it all up by asking us to imagine what more we, as writers, could do if we could cast off the chains of the reader. Well, I say hurrah for Maureen and hurrah for the seductive enthusiasm of optimists.